She creeps into the cottage in darkness as usual, savouring the anonymity of it, leaving off the light until the last possible moment. Keys are flung down, the fridge pours light onto the sheet metal worksurface and shimmers upwards onto the brickwork. The cat opens his mouth wide enough for his head to snap off and squeaks by mistake with the effort of it. "hello Audrey" she croons.
The morning had been fragmentary, piercing winter light, particles dancing like Parisian Spring. Everything had started to come apart, her mind disintegrating as she tried to concentrate. There was a tiny grave inside her mind on a hillside, lush green in another place, sea close, cottage nestling. The tiny stone had a name she couldn't read and it asked her not to forget it, to remember. There was something useful in this place she didn't know, this dead infant that wasn't hers and a tragedy she didn't own that was claiming her imagination for reasons she didn'tyet understand. The cottage near the grave was beamed and smoky with woodsmoke and there was a friendly presence, and elderly woman. She watched the scene with interest, surprised by its clarity. It was as familiar as that white Church on the hill she visited sometimes in her sleep. It had a particular feeling, nameless of course.
Audrey was yet another victim of an absent-minded vet and had been lumbered with a sexual identity crisis in his early kittenhood. He was quite 'Hepburn' in fact but he was in denial, like most cats, about his true identity. She had given him a diamante collar anyway. Perhaps he had regarded this as a final act of cruelty against his vulnerable psyche and had developed into an adolescent phase of sulking and stropping whenever his biscuits ran out. Crunchies are poured, diamante clicks against crockery, the purring begins. Legs are circled, marmalade hairs on black tights. She wonders why it all broke into her head today, the nameless stuff, but it had, and Audrey certainly couldn't care less.
Saturday, 25 October 2008
Chapter One of my new novel: Nameless
"Hurry up, they have come, they are coming in, hurry!"
Her mother's voice
She packs the strange grey textured suitcase, striped along the centre, small metal buckles, torn leather trim. She piles random patterned skirts, crumpled and ironed together. Squeezes the red Morrocan slippers, and still thrills at their glitter and pointed toes, even now, even here.
She scans the room, apricots, peaches, soft colours, floral patterns, ragged oatcake carpet, gentle flounces, swags, delicate fine cotton, valances. She calls out.
"Mum, Mum, I'm ready". She turns. She goes to speak. Opens her mouth to breathe, pushes the hollow door. Silence.
She finds herself standing on the edge of an open French sliding door, the metal cuts into her tender feet, the plump soles flushed with pain without her Morrocan slippers. She raises her eyes. No corridor, no bathroom, no spare room.
She is on the edge of a vast expanse of water, edgeless, mirrored in the glass door, permutating a million times the sheer gossamer surface. The wide and inky watery darkness merges with the wide and inky absent sky. Where one ends and the other begins she cannot tell. It is a lightless box, it could be glass, it could be frameless and infinite or mirrored and complex but limited. There is no one on the edge of the precipice but her in her tender naked feet clutching a battered suitcase full of ageing photographs.
It happens sometimes. The nameless stuff. She knows she is about to reject the idea of visiting a shrink for the millionth time. They won't share her creativity. They will try to explain it for her, but it isn't theirs to explain. It happened in childhood too. The nameless stuff.
She clinks the breakfast bowl onto the table, pours, scoops, crunches, grimaces, swallows reluctantly, winces, sips, stirs, sighs, yawns, wonders if there is time for another cup and goes in search of reality.
Her life along with the lives of everyone she knew had not turned out as she planned it, or as she imagined it. There is no name for that either, the way it all changes shape, all the ideas that weren't and the surprises that were. As children they were all 'going to be' when they grew up, as if 'being' was a thing for the future. How they had all ended up 'doing' instead had alluded her. What she was 'doing'with her life was trying to name things. But she didn't see it at the time that she started 'doing' it and now it was a habit.
To Be continued...
Her mother's voice
She packs the strange grey textured suitcase, striped along the centre, small metal buckles, torn leather trim. She piles random patterned skirts, crumpled and ironed together. Squeezes the red Morrocan slippers, and still thrills at their glitter and pointed toes, even now, even here.
She scans the room, apricots, peaches, soft colours, floral patterns, ragged oatcake carpet, gentle flounces, swags, delicate fine cotton, valances. She calls out.
"Mum, Mum, I'm ready". She turns. She goes to speak. Opens her mouth to breathe, pushes the hollow door. Silence.
She finds herself standing on the edge of an open French sliding door, the metal cuts into her tender feet, the plump soles flushed with pain without her Morrocan slippers. She raises her eyes. No corridor, no bathroom, no spare room.
She is on the edge of a vast expanse of water, edgeless, mirrored in the glass door, permutating a million times the sheer gossamer surface. The wide and inky watery darkness merges with the wide and inky absent sky. Where one ends and the other begins she cannot tell. It is a lightless box, it could be glass, it could be frameless and infinite or mirrored and complex but limited. There is no one on the edge of the precipice but her in her tender naked feet clutching a battered suitcase full of ageing photographs.
It happens sometimes. The nameless stuff. She knows she is about to reject the idea of visiting a shrink for the millionth time. They won't share her creativity. They will try to explain it for her, but it isn't theirs to explain. It happened in childhood too. The nameless stuff.
She clinks the breakfast bowl onto the table, pours, scoops, crunches, grimaces, swallows reluctantly, winces, sips, stirs, sighs, yawns, wonders if there is time for another cup and goes in search of reality.
Her life along with the lives of everyone she knew had not turned out as she planned it, or as she imagined it. There is no name for that either, the way it all changes shape, all the ideas that weren't and the surprises that were. As children they were all 'going to be' when they grew up, as if 'being' was a thing for the future. How they had all ended up 'doing' instead had alluded her. What she was 'doing'with her life was trying to name things. But she didn't see it at the time that she started 'doing' it and now it was a habit.
To Be continued...
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New Year at Glasshampton Franciscan Friary
Tapping the Ice
Iona
My original introduction
This photo was taken by my husband Graham on Iona. It is important here because it represents the way in which my Mum's death and funeral offered me healing. It marks a point at which I have decided, as she did, to be fully myself and live every moment given to me as fruitfully as I can. As part of this I wanted to start a 'new thing' and start allowing people to see more of my writing and therefore live my life more openly.
This blog is a response to the insights so many shared at Mum's funeral. I discovered there that my Mum was so much more than simply my Mum. She was never a saint, had many flaws, she could be frustrating and difficult like me. But I realise that these things were tiny when balanced next to her capacity for living and for giving. What emerged from her funeral was an image of a woman whose appetite for life and for quality of life was remarkable. She was entirely herself with everyone, whatever the cost. She gave all that she had to the people she loved, she fed us, nurtured us and showed us that every detail of every day was a blessing.
I am giving you my writing as part of the fruits of my life and person in honour of her memory and continued presence in my life. It is a risk I am now willing to take. She has given me the courage to live my life boldly.
When my Mum was dying I went to the Cathedral and imagined her saying goodbye at the side of an expanse of water. In my imagination there was a boat waiting for her to depart. In my mind I urged her to get in her boat, turn her back on us all, never look back and hope for the light on the other side of the water.
The boat story of Jesus telling terrified disciples not to be afraid in the storm and calming the waves has always been comfort to me in the storms of my life. There are so many ways of looking at the symbolic meaning of a boat.
For me this photo speaks to me about a song called 'Lord you have come to the lakeside' and in it there is a line. 'Now my boat's left on the shoreline behind me; by your side, I will seek other seas.' It is a line which kept coming to me as a friend of mine sat at her Aunt's bedside in her final hours. I sang it for her and her partner as they said their goodbyes as a prayer for them, because I knew how much they liked it. I think it began to speak to me too. When I urged my Mum to the other shore it seemed that her boat was only her own and no one could be in it with her. In her death I do feel called to 'seek other seas' as a new beginning with which to honour her departing.
This blog is a response to the insights so many shared at Mum's funeral. I discovered there that my Mum was so much more than simply my Mum. She was never a saint, had many flaws, she could be frustrating and difficult like me. But I realise that these things were tiny when balanced next to her capacity for living and for giving. What emerged from her funeral was an image of a woman whose appetite for life and for quality of life was remarkable. She was entirely herself with everyone, whatever the cost. She gave all that she had to the people she loved, she fed us, nurtured us and showed us that every detail of every day was a blessing.
I am giving you my writing as part of the fruits of my life and person in honour of her memory and continued presence in my life. It is a risk I am now willing to take. She has given me the courage to live my life boldly.
When my Mum was dying I went to the Cathedral and imagined her saying goodbye at the side of an expanse of water. In my imagination there was a boat waiting for her to depart. In my mind I urged her to get in her boat, turn her back on us all, never look back and hope for the light on the other side of the water.
The boat story of Jesus telling terrified disciples not to be afraid in the storm and calming the waves has always been comfort to me in the storms of my life. There are so many ways of looking at the symbolic meaning of a boat.
For me this photo speaks to me about a song called 'Lord you have come to the lakeside' and in it there is a line. 'Now my boat's left on the shoreline behind me; by your side, I will seek other seas.' It is a line which kept coming to me as a friend of mine sat at her Aunt's bedside in her final hours. I sang it for her and her partner as they said their goodbyes as a prayer for them, because I knew how much they liked it. I think it began to speak to me too. When I urged my Mum to the other shore it seemed that her boat was only her own and no one could be in it with her. In her death I do feel called to 'seek other seas' as a new beginning with which to honour her departing.
Books I'm reading & books I've just read
- The New Black; Mourning and Melancholia by Daniel Leader
- The Time Travellers Wife
- Retribution by Maureen Duffy
- The Summer Book by Tove Janson
- Voice Over by Celine Curiol
- Perfume by Patrick Siskund
- Loads of Alan Bennett's writings
- Writing Home by Alan Bennett
- A Short History of Tractors in Ukrainian
- Salmon Fishing in The Yemen
- Engelby, Sebastian Faulks
- The Lolipop Shoes; Joanne Harris
- The Prospect of Heaven: Musings of an Enquiring Believer, Frederick Levison
- The Courage to Connect; Becoming all we Can Be, Rosemary Lain-Priestley
Favourite Links
About my Writing
My writing tends towards the poetic, it has also been described as filmic. It is intensely personal and seeped in Christian imagery and thinking. I think it is spiritual writing in that it is rooted in the belief that there is a God and that God is very real to us in this time and place on earth. I write because it is something I am unable to live without. I write because it is healing and therapeutic. I write out of instinct and because I am by nature 'a writer'. I write for myself and for others that I know and love. I write for specific occasions and for purposes as well as for its own sake. Writing is a pleasure for me.
I write sporadicallly and as the mood takes me, it is not a disciplined exercise but something which emerges from my soul when it needs to be created. I have been astonished to find that people around me need my writing. They ask for what I have written and they ask for more. This blog is an attempt to meet that demand, not because I feel pressured to do so, but because God has given me a gift and it is begging to be used. People are asking me to us this gift fruitfully.
I think my writing is healing in its nature, it is soulful and intimate, it reaches places within us which we do not understand and it sometimes moves people to tears. It doesn't seem that writing like this is a productive or lucrative affair. It is not a 'niche market', it is not designed for profit or thought through in any sense. This approach would disable it.
I write sporadicallly and as the mood takes me, it is not a disciplined exercise but something which emerges from my soul when it needs to be created. I have been astonished to find that people around me need my writing. They ask for what I have written and they ask for more. This blog is an attempt to meet that demand, not because I feel pressured to do so, but because God has given me a gift and it is begging to be used. People are asking me to us this gift fruitfully.
I think my writing is healing in its nature, it is soulful and intimate, it reaches places within us which we do not understand and it sometimes moves people to tears. It doesn't seem that writing like this is a productive or lucrative affair. It is not a 'niche market', it is not designed for profit or thought through in any sense. This approach would disable it.
Quote of the Week
Love me best when I deserve it least for it is then that I need it most
Beyond the Archipelago
Foxtrot
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